- Questionable art history at the Prado surrounding the recent attribution of The Colossus, previously attributed to Goya, to an assistant of his named Asencio Julia. A report explaining the reasons for the demotion of the Colossus has recently been released by the curator of 18th century paintings at the Prado, Manuela Mena.
Principal among these reasons are an x-ray scan of the painting reveals the initials "A.J." in the corner and evidence of pentimenti in the underpainting. These reasons being not all that convincing, we are left with the question of "stylistic evidence," that oh-so-slippery, and ultimately 100% subjective, method of attribution. Any Goya specialists out there willing to hazard an opinion on this?
-Not news, exactly, but a great little article about Pieter Bruegel the Elder's masterpiece, "The Triumph of Death." The painting, "not for the squeamish," is one of my favorite pieces of art in the whole world and a masterful rendering of the idea that death is inevitable, following a long medieval tradition of such themes.
I do disagree with the author of the article here, Mr. Woodward, when he says that his secular reading of the painting as a "nightmarish icon" that seems to anticipate the horrors of wars that came after it isn't "responsible art history." There is something to be said about a painting that speaks to audiences through time and isn't only applicable to its specific historical moment.
-For your reading pleasure, a short piece about a medieval Crusader castle, the Crac des Chevaliers, in Syria. A rather grand piece of architecture that brilliantly encapsulates the give and take between Western Crusaders and their Eastern foes (which, interestingly enough, this article doesn't mention that Muslim armies eventually captured the Crac and drove the Hospitallers out in a spectacular defeat, simply that the Mamelukes "took" the fortress). The Crac really highlights a lot of the issues surrounding the idea of a specifically "Crusader" art while also being just an incredible piece of architecture.
Some parting words from one of the Crac's lintel inscriptions: "Grace, wisdom and beauty you may enjoy, but beware pride, which alone can tarnish all the rest."
17 hours ago
Look I'm commenting!! I agree about the article on Bruegel, shouldn't we as art historians be thinking about how art has effected other artists and viewers throughout time?
ReplyDeleteI love that the Bosch and Bruegel are across from eachother at the museum, if paintings could talk to eachother what would they say.